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  "map_content": "He argued that Leonardo Da Vinci's use of the vanishing point in his frescos as being the \"origin\" of the third dimension within man's mental modeling, and only after this point do we see the emergence of things like rationality, the scientific method, western liberalism, separation of church and state, etc. He links these to the transformation from a two-dimensional model to a three-dimensional model of interpreting the world. He also points out that this model introduces the concept of \"dialectical opposites\" to our understanding. Prior to this shift, there was a polarity but the polarity implied in a way a uniformity of substance. For example, the yin yang represents both the light and the dark, but these are not opposed but instead are complimenting forces which help to carve out and define each other and on whom each other depend. With the introduction of the third-dimension, you have for the first time, according to Gebser, the concept of the dialectical opposites.",
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